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Preface
Steven M. Freers ………………………………………………………………vii
The Owl: A Shamanistic
Motif in the Archaic Rock Art Iconography of the Palavayu Anthropomorphic
Style, Northeastern Arizona
Ekkehart Malotki ………………………………………………………………1
Great Basin
Rock Art: Numic Tradition or Multicultural Diversity?
Sue Ann Monteleone ………………………………………………………….19
An Evaluation of Abstract
Figures in Central Montana Rock Art
Mavis Greer and John Greer…………………………………………………...29
Recording the Rock
Art at Indian Hill, Anza-Borrego Desert State Park
Ken Hedges and Diane Hamann ………………………………………………37
Lending a “Hand”
to the San Luis Rey Style
Steven M. Freers ………………………………………………………………57
1995 Rock Art Fieldwork
in Southern Venezuela
Mavis Greer and John Greer…………………………………………………..79
Pictographic Rock
Art in Actun Kaua, Yucatan, Mexico
Terry Sayther, Deborah Stuart, and Allan Cobb…………………………..95
Shamanic Portals:
Do They Occur in Australian Rock Art?
Margaret U. Bullen……………………………………………………………103
Grappling with Graffiti
at Petroglyph National Monument
J. Claire Dean…………………………………………………………………111
Managing Rock Art
in an Urban Setting: The Challenges of South Mountain Park
Todd W. Bostwick……………………………………………………………119
A Rock Art Drawing
Survey
Elanie A. Moore………………………………………………………………129
Using Computers to
Describe Style
Russell A. Kirsch……………………………………………………………...153
Mesoamerican Ceremony
Among the Prehistoric Jornada Mogollon
Kay Southerland………………………………………………………………61
The Face of Solstice
Caroline S. Maddock………………………………………………………….179
