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Preface
Steven M. Freers and Alanah Woody, Ph.D., RPA…………………………………………vii
Introduction to the
Section Dedicated to Navajo Rock Art
Jane Kolber…………………………………………………………………….1
A History of Navaho
Rock Art Research
David M. Brugge………………………………………………………………..5
Recording, Protecting,
and Studying Navajo Rock Art: A Project in Chaco Canyon
Jane Kolber……………………………………………………………………17
Chaco Navajo Ceremonial
Rock Art and Anasazi Symbols
Carol Ambruster and Tony Hull………………………………………………..25
Dinétah Ceremonial
Rock Art and Cultural Affiliation in Northwest New Mexico
James Matthew Copeland………………………………………………………35
Tracking the Dinétah
Hunter: Hunting Themes in Navajo Rock Art
Hugh C. Rogers………………………………………………………………43
On the Trail of Dinétah
Hunter: Hunting Themes Skywatchers: Patterned Dots and Scattered Pulses
Von Del Chamberlain and Hugh Rogers………………………………………49
The Talking Rocks
of Carson’s Wall: Navajo History and Settlement as Revealed at a
Multicomponent Rock Art Site in the Chinle Valley, Arizona
Dennis Gilpin………………………………………………………………….59
Livestock in Navajo
Rock Art: A Reflection of Life
Donna Yoder…………………………………………………………………..67
Navajo Rock Art Discussion
Taft Blackhorse………………………………………………………………...73
Analyzing Petroglyphs
and Geoglyphs With Four New Perspectives:
Evaluating What’s There and What’s Not
Ronald I. Dorn, Edward and Diane Stasak, and Presis Clarkson……………….77
Weathering Impacts
on Petroglyphs Engraving and Rock Panels
Gregory A. Pope……………………………………………………………….97
Landscapes in Transition? New Radiocarbon Dates on Cave Drawings from
the Mitchell-Palmer Liimestone Belt (Northeastern Australia)
Burno David, Ruth Ann Armitage, Marvin W. Rowe, and Ewan Lawson……107
Indirect Percussion:
Fact or Fiction:
Rex Weeks……………………………………………………………………117
Traversing the Great
Gray Middle Ground: Examination of Shamanistic Interpretation of Rock
Art
Ken Hedges…………………………………………………………………..123
Inscription Point:
Too Little Too Late?
Donald E. Weaver, Jr., Robert Mark, and Evelyn Billo………………………..137
The Challenge of Long-Term
Preservation: Managing Impacts to Rock Art at Hueco Tanks State Historical
Park
Karen G. Harry, Evelyn Billo, and Robert Mark……………………………....151
Rock Art and Well
Pad Construction: An Example of Conservation from Wyoming
Mavis Greer and John Greer………………………………………………….161
Effects of Fire on
Rock Art
Roger Kelly and Daniel F. McCarthy………………………………………….169
Art as Science, Science
as Art: Aerial Photographic Applications in Rock Art Research
Persis B. Clarkson……………………………………………………………177
The Grapevine Style
of the Eastern Mojave Desert of California and Nevada
Don D. Christensen and Jerry Dickey………………………………………...185
Pictographs of the
Volcanic Tableland, Inyo and Mono Counties, California
Courtney R. Smith and David Lee…………………………………………….201
Marking Time at Lagomarsino:
An Exploration of the Competing Narratives of Rock Art Studies
Angus R. Quinlan and Alanah Woody, Ph.D., RPA………………………………………...211
The Star Burst Solar
Site, Pah Rah Range, Washoe County, Nevada
Alvin R. McLane and Oyvind Frock…………………………………………..221
Lizard Cave: A Possible Solar Marker at CA-KER-5525
Jack Sprague and Gale Grasse………………………………………………227
The Serpent: A Shamanistic
Motif in the Archaic/Basketmaker Rock Art Imagery of the Palavayu Anthropomorphic
Style (PASTYLE), Arizona
Ekkehart Malotki…………………………………………………………….237
Yavapai Cosmology:
Early Time-keepers in the Prescott Area, Arizona
Nancy Lee Hayden……………………………………………………………253
Atlatl Hunters of
the Sierra Madre Oriental (Mexico)
Wm. Breen Murray and Hector Lazcano……………………………………...261
Rupestres Paintings
in the “La Madera” Mountains, Sonora, Mexico
César A. Quijada……………………………………………………………269
Late Archaic Projectile
Point Petroglyphs
E. Gene Riggs……………………………………………………………….279
A Cluster Analysis
of Anthropomorphic Symbols in SW North American Rock Art
J. T. O’Connor………………………………………………………………285
Kohta Circus: A Mesoamerican
Connection
Eileen Green and Elaine Holmes……………………………………………293
Climbing Bear, Spirit-Helper:
Companion Petroglyphs at Shalabolino (Siberia) and Shavano Valley (Colorado,
USA)
Lynda D. McNeil…………………………………………………………….301
In Touch With the
Art
Janet Lever……………………………………………………………………313
The Hand Prints at
CA-RIV-114: A Forensic and Anthropometric Study
Steven M. Freers……………………………………………………………...319
American Indian Rock
Art: Guidelines For Authors
Frank G. Bock, Steven M. Freers, and Anne McConnell……………………...333
